Tattoos of the Philippines
History and Ideology of their Significance, Context of their Survival in Contemporary Society
Mark Anthony
"Tattooing was a complex rite de passage that also maintained the polity and the Kalinga warrior class (kamaranan). Sadly, however, it is a cultural practice that is rapidly dying. And unless some sort of tattoo revival occurs in the near future, traditional tattooing... will vanish forever."
-Ikin Salvador
A BRIEF HISTORY OF THE PHILIPPINE TATTOOS
Known as the Forgotten Islands of Southeast Asia, the Philippines is composed of 7,000 islands with a variety of at least eighty to ninety different cultures. Between the nineteenth and eighteenth centuries, the Spanish explorers referred to the Philippines as "La Isla De Los Pintados," or "The Island of the Painted Ones." Warriors of the Philippines, namely the people of the Luzon highlands such as the Kalinga and Bontoc Ingorot, had tattoos that heavily signified their status that essentially acted as a badge of honor proudly displaying their headhunting victories. In the case of the Bontoc Ingorots, their chest tattoo, the "chaklag," which was in a t-shaped design running upwards while curving on their shoulders and ending on their uppder arms--was an indication of having taken a head. Successful headhunters were given tattoos on the back of their hands and wrists after their first kill. The striped designs of the tattoo were called "gulot," which literally translates to "cutter of the head." Any headhunter warrior of the Kalinga tribe who successfully killed more than two men were allowed more ornate designs on their arms and chests These tattoos, called 'bikking' were tattooed with different animals or insects that acted as guardians or provided a spirtual protection against their enemies and throughout their lives in general. Some of these tattoos were birds, lizards, scorpions, snakes and centipedes among other things. The use of a centipede as a tattoo among the Kalinga tribe was the common belief that the scales helped protect against cholera. One mythical story that narrates the origin of the Philippine tattoo tells of a bird that fell into a bowl of black ink. Upon coming out of the bowl, the bird flew into a Philippine warrior and began pecking him until he became covered with little black marks. These black marks formed the similar designs that have no commonly been associated with the tattoos of the Philippines.
Jasmine Ines will be covering a cumulative history of the Philippine tattoos in her upcoming presentation.
IMPACT ON CONTEMPORARY SOCIETY
The Philippine tattoo as an art has unexpectedly begun to decline in most recent years, possibly from the assimilation of people into modern society, thus becoming educated and altogether abandoning what was once seen as traditional customs in favor of more practical one for the contemporary lifestyle. Today, there are only a few documented people of both the Bontoc and Kalinga tribes who continue to have their surviving tattoos--the surviving tribes have somehow given up their traditions. Even more threatening is the changing style of the tattoos, which have adopted certain froms from other tribes. However, in 1998, a group calling themselves the Tatak Ng Apat Na Alon tribe, composed of Filipino-Americans, set out to preserve the traditions of their heritage by educating individuals about the spiritual art forms of their ancestors and their works. Fortunately, unlike their ancestors who have hunted heads literally--their approach in hunting heads comes in the form of teaching. A great number of members of the ever-growing organization have been tattooed with traditional designs that reflect their indigenous ancestors of the Philippines, serving to teach people and spread the awareness of such a significant historical tradition. Some are even practicing the art to become contemporary tattooists to keep the spirit of the Philippine tattoo alive.
Eric Barrios revealing his indigenous-inspired tattoos.
"Like the nomadic turtle who carries his home wherever he goes, my tattoos carry forth my ancestral heritage. As a Filipino-American my tattoos show that I know myself, my roots, and my people."
-Eric Barrios
RELATIONSHIP TO OTHER CULTURES
The significance of the Philippine tattoo as a disappearing art bears many similarities with other cultures that have been discussed, much like the Ta Moko of New Zealand, in which missionaries contributed a hand in describing them as the Devil's Art that influenced their spiral of decline.
REFERENCE AND SOURCES (SEE ALSO)
Return of the Headhunters: The Philippine Tattoo Revival
http://www.vanishingtattoo.com/tattoos_in_Philippines.htm
Reviving Traditional Tattoos of the Philippines
http://www.apat-na-alon-tribe.com/history.html
http://www.filipinotattoos.com/history.html